Eli Keszler is a composer and percussionist based in New York City. Keszler has released nine studio albums to date with his latest self titled album coming soon on LuckyMe. A prolific collaborator, Keszler has worked with the likes of Oneohtrix Point Never, Skrillex, Rashad Becker and Laurel Halo in recent years, as well as scoring films like Olmo Schnabel’s Pet Shop Days (2023), Lotfy Nathan’s Harka (2022) and Dasha Nekrasova’s The Scary of Sixty First (2021). Additionally, he made contributions to Daniel Lopatin’s score for Uncut Gems (2019), and as a composer received commissions from esteemed institutions and ensembles, including the Icelandic Symphony Orchestra, ICE Ensemble, Brooklyn String Orchestra, and So Percussion. Keszler’s artistic reach extends internationally, with his music, installations, and visual works showcased in venues like the Whitney Museum, Cologne Philharmonie, Lincoln Center, MIT List Center, Victoria & Albert Museum, Museum of Modern Art, Sculpture Center, The Kitchen, Hessel Museum, Harvard’s Carpenter Center for the Visual Arts, Barbican-St. Luke’s, Walker Art Center, LAX Art, and MoMA PS1.